<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Jared Eyers - Online Art Gallery - Artist Portfolio</title><link>http://www.artq.net/ArtistWork.asp?artist_id=IZCXS1406330108955440</link><description>Jared Eyers - Online Art Gallery - Artist Portfolio</description><language>en-us</language><pubDate>Mon, 20 Apr 2026 14:55:08 PST</pubDate><item><title><![CDATA[The Eukaryote Apparatus]]></title><link>http://www.artq.net/ArtView.asp?artwork_id=DNVY5424330108958444</link><description><![CDATA[A eukaryote is an organism whose cells contain complex structures enclosed within membranes. Almost all species of large organisms are eukaryotes, including animals, plants and fungi, although most species of eukaryotic protists are microorganisms.<br><img src='http://www.artq.net/artImages/14/KUVL5424330108958444.jpg'><br>]]></description></item><item><title><![CDATA[The New Brutalism in Modern Architecture]]></title><link>http://www.artq.net/ArtView.asp?artwork_id=ITAY5424330108956654</link><description><![CDATA[This style was inspired by the work of a Swiss architect named Le Corbusier. The abstract nature of the structure makes it hard to find functional elements. For example, it can be difficult to find the entrance to some buildings because of the abstract and random nature of the form. Architects who produce these types of buildings wanted to create a modern utopia which was warm and comforting, but the abstract nature has had the opposite effect on people.<br><img src='http://www.artq.net/artImages/14/HSKV5424330108956654.jpg'><br>]]></description></item><item><title><![CDATA[The Inertia of Transition]]></title><link>http://www.artq.net/ArtView.asp?artwork_id=GLOM5424330108957252</link><description><![CDATA[Inertia is the resistance of an object to a change in its state of motion. In even simpler terms, inertia means that an object will always continue moving at its current speed and in its current direction until some force causes its speed or direction to change. This would include an object that is not in motion (speed = zero), which will remain at rest until some force causes it to move.<br><img src='http://www.artq.net/artImages/12/ROQT5424330108957252.jpg'><br>]]></description></item><item><title><![CDATA[The Unfolding of Origami Sekkei]]></title><link>http://www.artq.net/ArtView.asp?artwork_id=EOHA5424330108957852</link><description><![CDATA[Origami Sekkei is a field of origami that has developed almost hand-in-hand with the field of mathematical origami. In the early days of origami, development of new designs was largely a mix of trial-and-error, luck and serendipity. With advances in origami mathematics however, the basic structure of a new origami model can be theoretically plotted out on paper before any actual folding even occurs. This method of origami design was developed by Robert Lang,Meguro Toshiyuki and others, and allows for the creation of extremely complex multi-limbed models such as many-legged centipedes, human figures with a full complement of fingers and toes, and the like.<br><img src='http://www.artq.net/artImages/12/ENRX5424330108957852.jpg'><br>]]></description></item><item><title><![CDATA[The Unknown Truth]]></title><link>http://www.artq.net/ArtView.asp?artwork_id=BCKO5424330108959051</link><description><![CDATA[The Unknown Truth represents the variable of change and the destiny of your individual truth. You will discover truth through change and the curve balls life throw at you. The truth patiently awaits and eventually floats to the top after a series of puzzling events.<br><img src='http://www.artq.net/artImages/11/HJKB5424330108959051.jpg'><br>]]></description></item><item><title><![CDATA[The Rise of Egyptian Mineral Compounds]]></title><link>http://www.artq.net/ArtView.asp?artwork_id=SMFI5424330108959653</link><description><![CDATA[Egyptians used a special code of colors in each painting they did, with each color representing a different quality of the people represented. There were six colors the Ancient Egyptians used in their paintings red, green, blue, yellow, black, and white. They made these colors of mineral compounds and that is why their art has survived for centuries.<br><img src='http://www.artq.net/artImages/12/DQEX5424330108959652.jpg'><br>]]></description></item><item><title><![CDATA[The Hues of Human Experience]]></title><link>http://www.artq.net/ArtView.asp?artwork_id=KPHU54243301089510247</link><description><![CDATA[Abstract Emotionalism Series - The hues and tints of human experience, rich tones composed of all the overtones of human emotion.<br><img src='http://www.artq.net/artImages/17/QVHH54243301089510247.jpg'><br>]]></description></item></channel></rss>