| I could describe my latest water colour paintings
as results of a crossing of 
a border or also as meta-painting.
For me they represent an entry into an imaginary room, 
seeming to lie beyond the limits of our horizon 
of our reason and experience, and they invite the
viewer to follow me. There the painter faces 
a free floating of forms, colours and associations,
followed by a deepening consciousness of 
interdependent ideas. 
The artist's agreement to intuition and reasoning.
For the painter it is the wonder at forms gained, an 
imaginary /aesthetic reduction to structures 
without time and place, and thus to archetypical
characters. It is the painter's look into the 
essential, into the essence behind appearance, 
or simply into the origins.
For the painter it is the 
synomym for the denial of the visible world, of
the human point of view, the limited recognition.
For the painter it is the admiration for the untouched 
material of "form and colour", which is meant to be 
extended and continued into space, with the |