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Philhelm,PHILHELM-B143 - SEAL OF BEL-MUSHALLIM, WHICH REMOVES THIS SEAL, RISK OF LOSING THE SHAMASH`S PROTECTION !
B143 - SEAL OF BEL-MUSHALLIM, WHICH REMOVES THIS SEAL, RISK OF LOSING THE SHAMASH`S PROTECTION !

Painting Acrylic
Size: Curved Frame - 127 x 85cm - 50 x 33,4 inches
6800 USD

Description: Sumerian myth in the flood well before that of the Bible, the god Shamash appears in a boat and back light after the storm! As Shamash the rising sun, whose ceiling is the sky that contains the bark of the sun! The boatman called Urshanabi (half man, half-boat). The snake boat is an ally against the hardships facing the God to defeat the forces opposed to the light! On the deck of the boat, the anthropomorphic with for legs was initially a sad old bearded and not a woman. When the many sacred attributes above the characters, their meaning remains mysterious, except for the Philhelm's monogram under the cuneiform inscription, translation is "Seal of Bel- Mushallim, which removes the seal, risk losing the protection of Shamash! "











 
 


Artist Information:
Name   : PHILHELM Philhelm
Location: STRASBOURG  
  France


Biography
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PHILHELM Philhelm

Biography
In actual fact, I want to tell you without misrepresentation, the whole story of Philhelm, which begins in Alsace (It was still a Germanic country and will become French only in 1678!) in the castle of Lichtenberg, on April 23rd 1616, when the seven-year-old Balthasar Helmlinger, loses the Monogram of his eponymy descendant. This ordinary but nevertheless very serious incident in the distant past will set in motion the artistic calling of one of his descendants, ten generations later! This contemporary painter, born in Strasbourg in 1943, has only exhibited his work twice in his life (1999 and 2001) and only at the "International Biennial Event of Contemporary Art of Florence" which awarded him in 1999 the Prize of the City of Florence. So that the ordinary people be completely disorientated, so that it will let the story of the past enter him torpidly, by going back the furthermost possible or else it will never pierce the heart of his paintings, to seek there the secret causes of things.
 
Statement
Philhelm declines the colors in a correspondence with the images and original writings to a small history of the past, in wich his monogram was always present as an archetype. This revival for a few years, he has tried to reveal it because the Gods came one day to its meeting ! They deigned to present him their messengers like a hero accompanied with their sphinges : Let them forgive him, if he dares to quote them in the enjoyement of his heart, even if he put no bad shame to ask them for grace. If he tries to make reappear by its legends, some bits of a lost knowledge, and really immortal and sacred, he owes it only with work of fort many archaeologists and historians. He makes no vanity of his work. If he had his whole life, believe not produce anything good and beautiful, he feels no less real joy and deep taste that he recognizes and admires beautiful and great at others, had they been Etruscan, Cretan, Assyrian or Sumerian ?
 
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